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Reprinted from 1137512993 at 21:07 on November 2,
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figure photography to get professional results even more difficult than you think, the reason is very simple: hire a professional photographer pleasing model, and you know, the reason why the model is the model, because only one - they neither eat nor sleep. Of course, I was joking. -
reason they become a model because they are very photogenic. So, let's work more difficult: we are not surrounded by attractive models. We usually for friends or for a lot of looks ranging between Mr Bean and Jabba the Hutt who shoot. This is as a portrait photographer, their work than the more experienced the challenges of the reasons professional photographers - I want modeling phase of non-magic people who get results. This is why we often are disappointed that our photos of people because (of course, is not our fault time). In this chapter we will see two through to prove that the method can help us to get better each time, more professional photos. -
(1) looks better with the people how to make friends (if you're rich, it is very helpful.) -
(2) learn to control lights and control the subject's position. The key is to use dramatic lighting, I said \These non-model turned the less subject is lit, the better the final photo. In fact, consider the silhouette or a long night shooting, which is the subject of 100 ~ 200 yards from the shooting - in the distance look very good by anyone (which is also the reason the United States from the production). In any case, this chapter will tell you pictures of people's way, and provides a list of places in these areas often wear more expensive than the GNP of Luxembourg and the jeans look better people to play. -
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[b] Do not leave too much head room
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take a snapshot when the average person, they always leave too much overhead in the subject space (as shown above.) This is the most common mistake made by amateurs, but fortunately is very easy to fix. But do not do it - do not leave too much space. If you remember the characters in the book, vol composition skills (the subject's eyes in the scene above the frame 1 / 3 of the place), then you can avoid this \-
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People direction
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most pictures are taken horizontally (landscape photography), which also created the most perfect sense, because the camera is designed in such a way - the level of support, which is the shutter button in the upper right the reason side, just finger can naturally be there. -
However, the professional portrait photography are usually vertical shooting (which is also called \will see a beautiful piece (horizontal) or portrait (vertical) of the button). So, if you want to get more professional portraits, then the camera vertically, according to figures the direction of shooting (of course, like other rules, like always there are exceptions, this chapter will discuss these exceptions later.) -
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pictures of people? Must have a battery grip
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many people if taken, then you will spend a lot of time on the camera upside down, press the camera will soon be on the top of the shutter button was exhausted. -
At this point, you need to shoot a vertical battery grip. In addition to allowing you to use two batteries, no need to replace the battery can take more time, another advantage is that most contain vertical battery grip shutter button and set the aperture and shutter speed dial, so that the level of vertical just like shooting the same shot feel comfortable. In addition to these benefits, the majority of photographers I know think that the whole camera in your hand more comfortable, more secure, even when the same is true of the level of shooting (the camera in the hands feel very important). Even better news is that these batteries can be used to handle the majority of SLR cameras, relative to their benefits, the battery grip is cheaper than expected (generally more than 700 yuan). -
When ordering battery grip
only find one thing: not all of the battery grip has a vertical shutter button, so be sure to confirm your order with battery handle this function. -
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pseudo-rules - \
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You may have heard of \face was illuminated. This snapshot is perfect for the rules, but according to the collective character is the worst of it (except for \-
If you want to make outdoor portrait photography with professional quality, so do not let direct sunlight in the face (although most people are like operation), this would allow everyone oblique squint, the eyes can not be opened, and can not face the camera. Worse, they face a harsh, direct, unpleasant light. -
If the subject back to the sun (not your back to the sun), so they have good around the edge of optical effects (tick hair outline), and then a little flash (low to keep the flash brightness), so that Their faces have enough light, so they blend with the surrounding natural light was. -
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narrow the wide-angle lens -
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This concept refers to the scene with a wide-angle shots - because the rules have been respected - do not use wide-angle shots, as they become distorted, it seems very strange, so many years I do not consider the through this method. -
But the world's top photographers, excellent Joe McNally complete subversion of the myth, completely changed the way I shoot environmental portraits - taken with the wide-angle lens, closer to the lens. When shooting with a wide-angle lens, you can really close to the subject (you can narrow), they will not distortion, just view the scenery looks a bit the rim of the \I have been skeptical to this method, until Joe challenged me to see People magazine, most pictures are taken to narrow the wide-angle lens. I was shocked, not only People magazine, almost all the places are so - from magazines to billboards to print ads, web. Taken to narrow the wide-angle lens of professional photographer, you can! -
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shake-hands grip the side characters
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Now that we have learned the rules of vertical shoot portraits, let us break the rules (rules which is the most interesting photography thing - if you learn the rules, they may break very cool bar! However, if accidental break the rules, it is unwise, because it is being aware enough.) In any case, deliberately break the rules of the place is when we shoot the subject side. For the following reasons: because the subject box the face of the edge of King, If the vertical subject, they look like the portraits to be restricted to a box, visually very uncomfortable. So, to break the rules of vertical shot, shake-hands grip the side characters, make the subject with visual breathing space, King seems more comfortable the subject box. -
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better use of telephoto portraits -
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you watched on TV the high-end photo shoot (which may be taken or a celebrity fashion shoot), and noting the distance between photographer and subject was it? This is because they use a longer focal length lens (this lens is ideal for shooting portraits) to provide the \The above picture completely tells us the secret - the left is 50mm shots, the right is taken with 70-200mm lens, the focal length of 190mm. -
even if all the camera settings and lighting are the same (they take only a few seconds interval), her effect on the right in the picture looks even more like it. This is where you will see a lot of professional photographers to shoot portraits of a wide range of focal length of the reason. That is to say, they try to shoot with the lens telephoto end. So, if they shoot with 28-135mm lens, then the 100mm-135mm shooting range will have the best results, portraits of the most satisfactory results at this time. -
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outdoor shooting portraits need diffusers because
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When shooting portraits, the light is very harsh, is not satisfactory, then you can slot in between the worse effects of the decision: the camera built-in pop-up flash or direct light. -
Fortunately, as you are in the \But if we are on the beach or the desert, or any other place in the shade near the shoot does not it? Then you need to have the following equipment one of them - 33 inches Lastolite TriGrip 1 file diffusers (I also mentioned some of the flash, external flash thorns scattered attention, so here it has the dual task). Ask a friend to hand-held diffuser between the sun and the subject (shown above), you immediately get soft, beautiful natural light. It will cost about 480 yuan, leaving studio, you will have this light buoy put it down. -
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to choose a better background of portraits
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portrait photography is the key to get a good background, \If you shoot in the environment (such as someone's home or office, etc.), in order to get professional results, not on the background to improve the well - but to remove some of the background scenery. You need to spread the theme as little as possible factors in the background, if possible, remove as much as possible factors in some off-topic, like the right side of this picture in the same way I did. Do not ignore it - in order to create a truly ideal environment for the characters, it can not only play a role in the future. The entire picture must be handled as a whole, by choosing (or create) a simple, clean background, the likelihood of victory in straight up. -
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there is nothing new composition techniques -
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most of the photos you see is not a shake-hands grip, that is, vertical shot, so the camera angle should be more innovative, yes, new ideas! Now, for portrait photography has a very popular method: convert the camera angle, this angle makes the subject towards a corner. This method is simple and could not have been easy - as long as the camera slightly to the right or to the left, then shoot. You may need to try several times, so that the subject in the frame you want to view the location, but this effect (which has existed for many years) will be more popular. -
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cut their heads above the
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portrait photography is \In this composition skills, you need to trim off the top of the head of the subject, read here, you will definitely feel strange. King the head of the subject fill the frame is a very popular professional skills. The formation of a compact composition like this very dramatic effect, as shown above, and now it attracted your attention, you will find this composition skills everywhere, has become a lot of top fashion, beauty and portrait photography mainstream. (Note: Although cutting the top of the head of the subject, or the edge of the arm, shoulder, hair, etc. is a good idea but you should not cut his chin. People actually used to see the top is cut, it would seem natural , but seeing pictures of his chin was cut visually uncomfortable ��)-
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outdoor group shots easier
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illuminate a group picture, and everyone has the same amount of light is undoubtedly a challenge, which is taken collectively, usually to the subject in the open to get better results reasons. Outdoor lighting used to illuminate the whole subject can be more simple, particularly the subject in the shade (not the cool depths, only the edge of the shade, but did not spot through the branches, the gap between the window or building project the body in the subject). If you're lucky enough, in the group photograph in cloudy weather, then your work is very simple - just let the subject go outside, cloudy skies will light the problem for you good food, so you can focus on how they pose on. (By the way, in order to get professional results in the group photo, the photographer will not say, \
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posing for group photo skills
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group photograph next time, do not let everyone stand in a row (you know, this effect seems not), trying to get them to gather around certain features - Some subject their own arrangements will be very natural position. For example, trying to make people around in bed or beds, or chairs, pillars, cars, tables or anything that can put them into one whole set of objects, or to pose around, so they do not stand in a straight line. -
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life skills of group photo
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want to shoot group shots of life more appealing it? Then the subject was close to a pyramid (triangle), but I said is that they are in close contact with - each other by the arm and head get together, a view box in the top of each one side of the bottom of the pyramid (as shown above), others are tightly against the middle. In this way, you will find that their body is not a straight line - their location is staggered, but they are all leaning together, so make photos look more vibrant and interesting. I have not tried this method on a large number of group shots, but if you have received an amusing photo of collective life, which is the most powerful description of this method. -
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do not uniformly illuminate the whole subject
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people look at photos, they are the first pictures of the scene to attract the brightest, so you only want the brightest light on the position you want, right? Exactly! Therefore, if the subjects of portraits, you want people to focus the subject's face or stacked wrong arm? Certainly so. But most people use the same light illuminating the characters, subject to their face, hands on both sides of the light is almost the same. If you want to reward chart to guide the focus of the eyes of those who fell on the location you want, then light the subject, the brightest light in the subject face, and then gradually down along the body and darker. This adds to the fun, lively, you will find the visual focus is usually on high-end figures. Incidentally, this is another example of emergence of light, so that the edge of the light is the subject's face, the face rapidly than the less light the perfect dark (but do not let it get too dark - it should still light, there are details, but did not face lit). -
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want to get better portraits? Do not report the number!
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If you want to look good position to shoot people, and then press the shutter button before the number 1,2,3. This is almost guaranteed that you can not have character portraits look natural. As a photographer, found a natural expression of character moments, and capture this moment in time is your job. Anyone can stand there, the number 1,2,3, and then press the shutter button in the fourth tone, if you do, your photographs can be taken any other person. If you want some special effects, a more natural expression - a smile or a sincere expression, then abandon the old-fashioned practice of 1,2,3 this, but talk with your subject. Motivate them, get them laughing, even let them pass the time, then the time is ripe - to capture the moment. So that their photos not only light the good, natural posture, your pictures will make them become natural. -
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window light: Where should the subject -
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window light, especially light anywhere in the north window light is one of the most beautiful portraits (in fact, some professional photographers insist on using only all natural window light shooting portraits.) Scattered light into the window, the window bigger, more gentle light, scattered. So, if you've got some good window light, then the subject should be where the most beautiful light will it? You want to subject their shoulders to face the window (so the light to cross over the subject, the face side of the shadow will be soft). Then, let the subject 1.8 m from the windows, so the light is very soft, and lingering in the subject area (if the distance between them closer, then the soft light will change soon.) Moreover, behind the windows to the subject a little, so they can come into contact with the edge of the window light, not direct sunlight. The edge of the light is very soft, and you will get a lot of professional photographers dream of the perfect, magical light. -
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face the challenges of dealing with six quick way
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to the subject by posing and lighting, and you can hide or reduce many of the typical facial problems (such as big nose, round face, wrinkles, big ears, etc.). Here are 6 quick ways to help you make the subject look the best facial expressions. -
(1) If the subject is bald, then from a lower angle, and do not use the hair light or something. -
(2) If the subject is plagued wrinkles, so they try to direct light, as the shadow side light will stress, more pronounced wrinkles. -
(3) If the subject is larger ears, let them pose, this only shows one ear and then lit them so that one ear will appear on the shadow side of the face (so basically on, with only one ear, and the other in shadow.) -
(4) If the subject is a white long big nose (which is only a technical term), then they turned his head directly facing the camera, so that their chin slightly raised, and then from a lower angle, does not emphasize this point of the nose. -
(5) If the subject of a double chin, then let them look directly at the camera, and then they head toward the camera in front of a little extension. This stretch and tighten the skin of the chin. And if they direct light (the light directly on top of the location of the photographer), so an increase in the shadow under his chin to hide the double chin. -
(6) If the subject is more fat, round face, or face, you can laugh at them and let them lose a few pounds. Then when their eyes full of tears, you will have their day in the most natural expression. Of course, you can also have their face down, or turn right and left, only to shoot the face 3 / 4, so they will not face look less round, despite the fact that of course is very round. -
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Sarah Michelle Gellar
Hybrid Mode
