I tried one day so she does not look down upon me.

go down this road I'm gonna be ok.
scolded the -------- hurt a person,abercrombie and fitch, a person cry

Everything for the future - feeling Diaries 2009-11-12
Perhaps all this is human nature


such problems is not to find fault with you ... ... ... ... ... ...


good before!
I Jinzi see me in the car so that my results.

replaced I might do better not Jinzi

one laugh
one boil

in his eyelids would not be too long
not a good thing?
a man silent.
She is a strong woman I tried one day so she does not look down upon me.
but does not mean I did not work after the
Maybe it was just there to rectify,polo ralph lauren discount, if any,doudoune moncler, Tsutomu.
lonely ------


no matter how that
late yesterday to wait for him to go back the




consequently not so much the children


They are constantly watching my every move


received yesterday uncle cousin,




I will not forget good to me
to me I remember

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These words have been said how many times ----
you tube and there is no harm I might
your empathy is not ?

but you can not look down on your own
ill - ------




also self-centered

do not want unhappy

I worked hard for the future
a bad thing,Christian Louboutin pas cher, think of all my
age who can not be found play for fun.
cousin nothing will
Jinzi in life, not without help me
I really stupid it? Jin Zi and the eyes of my uncle is such


killed the --------
I is not too small





others have difficulty
9 years old ------

Maybe this is what people often say that the lakes dangerous;
heartache -------

but ---------------------
Yes ah! Home in which there is no good

brother my heart pain ah!
you always think you are right


everyone has given me self-esteem you face
in how you have to put me forward when the individual is not?

Maybe this is what I have to go through the ups and downs into the society.

Jinzi you can not see my side

people look down on you


I understand the wish for her mother
everything for the future!

my body is wrong with their eyes.
frequently told himself.

though I did not work
one is that gradually solved
But if you understand the damage you give

these days have been very contradictory, the younger brother by one year in Zhengzhou, the suffering,polo ralph lauren homme, people look down on him.



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she and her husband are restless people

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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."