discussed aesthetics and the China Film Art China relations, we must first examine the aesthetics of Chinese film culture properties. The aesthetics of Chinese film and cultural attributes, of course, is only marked by the profound imprint of traditional Chinese culture, but also exhibited the influence of the distinctive spirit of the package and the current color. And this spirit of the times and the present color itself, but also embodies a certain historical stage of the will of the mainstream culture, but also the film's Westernized form of innate and ever-changing industrial civilization is closely related. They integrate with each other to form between the aesthetics of Chinese film's unique personality, the development has in turn in the contradiction to the collision, but also bitterly at the so-called diversified with.
film culture is a human with the help of modern technology to create cultural style, refers to the movie Film Art is human culture is an important component, but as a cultural system of sub-cultural patterns exist, are spiritual and cultural context of the sub-culture section. Art of film in today's society not only become a popular culture, but also of other cultures are exerting a profound, subtle influence of permeability. As a spiritual culture, film, art and other spiritual culture of internal consistency, they are the result of human activities in the spirit, and the extent of the human spirit fields produce different effects.
film is a product of social progress, reflecting the progress of mankind in science and technology, direct and lead the development trend of civilization in society, to meet the aesthetic needs of people at different levels and spiritual pursuits, art and other art film both distinct and linked it through special technical means, people feel the visual impact and spiritual enlightenment.
Third, the contemporary film art film art visual aesthetic characteristics of China experienced a glorious period, the various stages have different aesthetic characteristics, but the film is more film types, in various forms of art. Different genres and different forms of aesthetic requirements, but overall, they have some common aesthetic features, these features are: intuitive visual nature of film art is provided by the main screen or the screen shows the intuitive visual image , Performance art to film everything, including thoughts,
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Keywords: visual language of contemporary film art form of the aesthetic features
Second, contemporary aesthetic commonality with the audience's aesthetic and cultural differences in aesthetic activities of human psychology is the process of accumulation and the aesthetic sense of cohesion, represents the aesthetic and cultural core of the system, reflected in the specific aesthetic needs,
Beats By Dre Headphones, aesthetic ideal, aesthetic taste and aesthetic values, and so on. Community cultural needs, not only have to meet the recreational, entertainment side, as well as mold character, to enhance the spiritual realm side. From an aesthetic point of view, the audience needs to form by their own aesthetic and cultural psychological impact; At the same time, the audience choose to accept the media during its aesthetic and cultural psychology, including aesthetic, aesthetic ideal, aesthetic values are constantly evolving. Film development so far,
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Abstract: film to art and science of combining methods, creating a new aesthetic approach - sports visual beauty. It can change the time and space, but also to include the macro world and the microscopic world, and true and fine display of people's inner world and external performance, and direct picture and sound appeals to people with visual, hearing,
tods shoes outlet, with no other art match the great potential and charm. Understanding of visual art film aesthetic characteristics, the proper use of visual language in order to strengthen the visual effect, to raise awareness of the film image and film analysis and appreciation of aesthetic, prompted us to better focus the essence of film art performance, and the new century. prospects for the development of Chinese film is instructive.
aesthetic commonality has never been a rigid concept, it will be developed along with the development, Today, moviegoers commonality, in addition to the performance changed in the tradition of recognized practical rationality, but also on the outlook embodied in the new era, new technology, new understanding and awareness of human yearning. For example, the current rapid development of high technology, broadening the areas of people's imagination, the imagination of viewers eager to see ahead or the ideal picture, so computers and digital production to create a variety of cultural, scenery and breathtaking scenes. Regardless of how the break, deconstruction, films in the spirit of the pursuit and aesthetic expression has always been common to all mankind. Such as Zhang Yimou's express a contemporary vision of human discourse and the multiple images. All these initiatives demonstrate commercial film aesthetic, while requirements are fully reflected in the original ecological complexity and diversity of life, the other is to keep the fast pace of changing times, even beyond the limitations of the times, to meet the concept of Shadow's curiosity. Expand people's imagination, the artistic life, the world's aesthetics.
a contemporary film art and cultural property and build a Different ethnic groups living in different environments evolved various styles of production and way of life, and carries a variety of cultural types; the same nation because of changes in the environment and cultural life of its own law of motion, in different historical periods, the culture show different patterns, the so-called The former is the culture of ethnic (or regional), which is the culture of the times (or stages).
today's genre, like romance films, martial arts films, science fiction, detective films, gangster films, disaster films, musicals, etc., all have strong commercial motivation, the director Zhang Yimou,
vibram five fingers outlet, step five generations have begun the style transformation, such as possibilities. However, in the cultural context, we can see today the Chinese people watching the films from the past to accept a more aesthetic one commonality, and to change the commonality and differences in the formation of the acceptance of paradox. On the one hand there is a clear commonality, on the other hand with a strong difference. More articles related to topics：
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