you still happiness

Editor's note: Read more articles written your heart softly birth pain! Touching the delicate emotions. May you be happy! Pre-existence, I must have it under the beam of spiders, you must be that the dew on the leaves. In order to meet with you, I am Buddha, for five hundred years. Incense smoke filled five hundred years, five years weathered snowing fog, I ask Buddha. Metion allow me, it was you. Even I, one year, one day, the Buddha laugh at me crazy; Buddha have mercy on me crazy; Buddha sigh me crazy. So we in the earth was removed, each cycle of suffering taste. Finally one day, I saw you. However, all too late. Too late in life found each other after a foregone conclusion; too late to recognize each other when the passion ended; too late, feeling full of scars,ralph lauren pas cher, I struggle; too late, you can not afford to condemn the secular. So, again with my heart in prayer to Buddha. Five hundred years later, Hong Meng at the beginning,chaussure louboutin pas cher, I was the only one.
I'm just an ordinary woman, I just world the smallest grain of sand,abercrombie and fitch france, once falling into the sea, a gentle spray, you can let me deep underground, so you can not find anymore. I do not Empress Dowager, Aromatic, beauties, flowers and the moon, the beauty of reverse beings.I love the wind heart, that is you. Acacia slowly rising from the bottom of my heart, lingering in the deep sky,moncler, the curl of a long, lonely, sad song singing at midnight.
no one cried, no one laughed, I'm not the world's first cry, but not be the last happy person, whether flowers or flowers of the season, in my heart, always no longer a smooth cut in winter, and many had a chance to talk and express their minds, are like the same type on the growth rings engraved in years. Expression is always lonely, never be able to change the ... ... night, how many times, I was careful to weave the story of one unforgettable fill my empty soul, weaving a beautiful and well-being of helpless desire to drive away. But everything is just a dream after all, grow up just a fairy tale. When wake up, when the fairy tale ended, so many helpless, so much pain. My tears began to spread, drop by drop over the face. Pillow, still is a constant tragedy. I seem to see a lone bird shivering in the cold snow Lise Se, anxiously waiting the arrival of spring, waiting for the flowers open time. Talk to an angel with broken wings all the time from the crevice of my quietly filled the air, bit by bit bitter infiltrating my thoughts, and then sink into the hearts of my boundless depths of the sea.
angels have wings, I did not, so I'm not an angel. Devil magic, I did not, so I'm not the devil. I have plenty of frustration, despair and loneliness. The disadvantage is too good angel, the devil's drawback is too evil. My weakness is I still want to fly off the wing, but do not forget to rely on the ground, I will fall to be hurt himself! I know, you are still you, but I do not know my mind; you still happiness, but I do not know my Qiannian. I kept thinking would not help the tears always flooded out. I have been doing deep breathing, fluctuations in an attempt to soothe my heart, but I can not. I removed the false smile, fall out of a tired face. Still sentimentally attached to you, but I have learned to hide. My life is always calm, only when the wave is like your tears. Tears in their eyes, the vague see you in front of me, step by step forward, but more and more away from me. I Pinmingdexiang rush you until you disappear before my eyes. I started to laugh, laugh at my silly, laugh at my stupidity.
Tonight, a man once guarded solitude, without any expectation that a person accompanied by the low light, my thinking has slowly derailed, but it actually is tingling ... ... Wherever he went,abercrombie & fitch, a woman disguised the original Well, just fear of the man she loved that she was sad ... ...相关的主题文章：


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一匾一人生


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."