as immortal! What's fun about that?'), or sweets that come in jars ('If either of you have got Rhubarb and Custard in the top five, I'm resigning now.').
Barry puts his hand into his leather jacket pocket, produces a tape, puts it in the machine, and jacks up the volume. Within seconds the shop is shaking to the bass line of 'Walking on Sunshine,' by Katrina and the Waves. It's February. It's cold. It's wet. Laura has gone. I don't want to hear 'Walking on Sunshine.' Somehow it doesn't fit my mood.
'Turn it off, Barry.' I have to shout, like a lifeboat captain in a gale.
'It won't go up any more.'
'I didn't say 'up
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He laughs, and walks through into the stockroom, shouting out the horn parts: 'Da DA! da da da da da-da da-da-da-da.' I turn it off myself
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'What are you doing?'
'I don't want to hear 'Walking on Sunshine'!'
'That's my new tape. My Monday morning tape. I made it last night
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'Yeah, well, it's ########ing Monday afternoon. You should get out of bed earlier.'
'And you'd have let me play it this morning, would you?'
'No. But at least this way I've got an excuse.'
'Don't you want something to chyilai：
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