Transformation and equilibrium - Analysis of the f

transformation and imbalance -
- Analysis of the form constitutes a theory of contemporary calligraphy -
text / LIANG Pei-first -
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decades, calligraphy, contemporary altar in the form of theoretical analysis and related research has made considerable progress, one of the most important sign is that the constituent elements of the form of calligraphy in the form of contemporary research and creative involvement, to enhance and deepen folk for the shape of contemporary books, the rules and the associated form factor analysis, to know. In the shape space, such as QIU Zhen, the rules constitute the detailed anatomy, Zhang Yuxiang form for calligraphy in the form of visual analysis, Wal-Wah will constitute a form of transformation as a key factor in modern calligraphy, and so have had a affirmative role in subserving. -
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but was proficient to mature as an early twentieth century visual art means, constitute a form of calligraphy is undoubtedly a typical Both for the -
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This paper ventures to constitute a form of historical origin and its character in the present-day paperback earth position, and this phenomenon implied by some theoretical issues, and several additional zones as analysis and appraisal. Designed to serve as a catalyst in array to heave the altar of the contemporary paperback research and prose calligraphy of extensive attention and reflection. -
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(a) -
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as the basic elements of visual art, visual art through the ages all the resort has its own form of composition. Here, the form of composition can be understood as we often confusing, rules and layout, etc., this is a spacious concept. Narrowly speaking, it is the late 19th century, early 20th century, from modern abstract painting and sculpture evolved. Form of composition, referred to as composition, is [1] This said, the form constitutes compliance with the provisions of this lessen sense. -
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art history, the premier form of highlighting the work picture is formed while the Post-Impressionist painter Paul Cezanne. Cezanne that: -
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in the creation of a work, in order to accomplish the work point, line, surface form the perfect, -
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Cezanne lifelong pursuit of the absolute form of painting, his works deal with the space that has a non-diversion of the reliability and compactness. So, generally trusted that Cezanne is a constructivist actuator. [4] -
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in Cezanne under the influence of modern talents began to explore the art of the formalism. One of the most influential is that Kandinsky were written in 1912 Especially in the -
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,],[
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This book is extremely detailed and deeply expounded the visual elements of each role in the visual arts,Cheap Gucci Shoes, and even Kandinsky himself said the book's analysis is [6] Therefore, the -
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Kandinsky's contribution is also reflected in the creation, he created a lot of clear to point, line, surface composition, for the purpose of work, such as is clear. It is worth noting, such as At this point the formalism constitute a form of creative care for the degree. -
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with this table is modern and contemporary art theory formalism is also the art form of research and objection as the starting point and destination. Cliff • such as Bell was in 1914 in his ; Frye wrote in 1920 on the
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just a feeling on form, and form a relationship can cause a specific and profound feeling.
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Roger Fry
• Cezanne through Italy and the art of deep and specific forms of analysis, formed its own set of line rhythm, volume, space, light and shade, color analysis as the main target structural analysis. This form of composition analysis with Kandinsky basic synchronization. -
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from the epistemological viewpoint, the form of composition for both the Kandinsky system of construction, or Cliff • Bell, Roger Fry • theoretical assist, are derived from the a elementary context of Western philosophy, this is the As the contemporary German savant Wolfgang • Welsch said: -
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'Lisiduode of picture.
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Therefore, after the invention of the camera in modern times, when the visual process is switched to another form of estrangement of the traditional doctrine of materialism neatness track, the modern Western art forms have to be raised to an unprecedented class and understand, to mining,Womens Gucci Pumps, These can be changes in the history of Western philosophy to find basis reasons. For example, Kant believes that the human morale is not a passive receiving, but the initiative, actively seek to understand the apparatus; Locke envisioned the human mind as a white,Gucci Shoes, indicating a correct understanding of human beings can be earned through the experience of perplexity removed to obtain; Croce demand form is only the fact that the United States; Husserl, Wittgenstein again accented the need to face is the thing itself, do not want, at a time - Etc. are factors that unravel the visual formalism of modern Western art in the history of boom, there is a cultural and historical context of the logical relationship. -
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So, Herbert Reed will boldly • expounded his outstanding dissertation that: -
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this point, we can paint the following conclusions: First, the form constitutes the basis of the modern visual arts, is accompanied by the history of modern Western art in the formalism of art rumble resulting from a formal analysis method. It is not ancient have, but by Cezanne Beginning from Kandinsky to complete. Second,Mens Gucci Moccasins, the form constitutes the visual arts from the Western historical tradition and Western philosophy. -
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(two) -
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in the form of makeup and penmanship period grafting process, QIU Zhen in the manner of academic research has the power apt create. Writing in 1981, tricks of the units and their makeup namely still a lot it seems very thorough and in-depth thinking. For example, in space, he made such a claim: -
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works all the space.
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the tricks of the analysis, he used the circumcircle, the line axis, the axis line, etc. put attach form the concept of composition, which clearly reveals the axis of the figure is the form of feelings approximately a work key, -
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both ideological guidance on theory, or specific evaluating tools, the QIU Zhen in the results of these studies can be seen form the role and composition of Kandinsky -
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in approximation with the QIU Zhen, Zhang Yuxiang, and Wal-Wah and similar contemporary calligraphers, they will constitute a form of calligraphy surrounded the grafted onto the cardinal form of inspired motif comes from. Zhang Yuxiang frankly admitted: -
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Wo Hing Wah is put it more strongly: -
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[14] -
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their characteristic approach can be summarized as the following points: -
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one, starting from the understanding of works of visual forms of calligraphy, the calligraphy In this regard, Zhang Yuxiang, said:
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Second, the visual center, extension, amplification works point, line, surface forms constitute the most important contrast is the contrast between the creative idea. In this regard, Zhang Yuxiang, said: , the more intense visual effects work. shades, etc., the contrast between these teams of excavating out, give full statement, and to a agreeable medley, can enhance the visual effects work.
Third, the form of Health published a set of principles constitutes a form of calligraphy, composition analysis, means the full application. First, the introduction and the creation of a convenient form of calligraphy and composition analysis of the concept of the system. Form part of the composition instantly from the introduction of the concept: lines in - line orientation, line length, line position, line shape, line texture, line texture, etc.; space - among the space, outer space, block cutting surface, shape, arbitrage, triangle, circle, square, etc.; the overall effect of the work - black and white relations, the visual center, tension, visual provocation, dislocation, and so on. Is new office out of the concept: and pen, onward the fold, reverse fold, line decree, campaign, card, corner, go areas, do so on the bottom. Secondly, the use of specific analysis in the form of a direct form of some basic principles. For example, along to a definite point of descending trajectory, the intention of change, will produce a smart sense of tempo; equidistant collateral lines gives a tranquility, even the United States; gradual twists and corners of the line gives a violent, flowing prettiness; geometry of surfaces rules conducive to the representation, flat, gives a rational visual experience. Etc. These forms constitute the basic principles,Gucci Wallet UK, constantly constitute a form of calligraphy is their analysis of the rationale. Similar to the is the transverse momentum muscular; other hand, I then write (diagonal and horizontal angle greater than 45 degrees), it is the lusty vertical potential . Finally, the all visual effects work on the harmonization, Zhang Yuxiang said: also distant and form some of the basic rules of composition, such as tempo and rhythm, compare and change, breaking the rules and variations, symmetry and balance, coordination and harmonization, and so has a clear line of succession relationship. -
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four to undo, decompose an momentous way for the formal analysis, that is, the calligraphy in the form of a complete replacement for the visual element, and two parts white space. Then, using the above said conception of a massive number of micro-analysis is also a means of partial decomposition of the conduct in-depth quantitative or qualitative analysis, and training via a clear intention of these analysis results, tread by step applied to the production. For example,Gucci Trainers, in clinical education posts, will be the overall number of temporary work alternatively dismantling of a dozen goals, a clear gradient procedure, a program to solve a problem, . In creation, it will So 1st detect disassembly, decomposition, afterward seeking 1 to finance the analysis and education methods, and present Academy of Fine Arts in the form of composition is very near to the teaching of musing. -
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Through the above analysis, we found that, after nearly 20 years of effort, constitute a form of calligraphy have been completely grafted to the form of the analysis, and formed from the formal theory (QIU Zhen in) to the creation theory (Zhang Yuxiang, Wo Hing China and more contemporary books people) relatively complete system of theory and action. It brings to the contemporary book world to enhance understanding of change and creation of the public has the unity no longer going to repeat the. However, in theory, this effort does not have a priori self-evidence, it has very feeble theoretical root, even deadly, there are still many problems, which in turn can not debate. -
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First, as to constitute a form of formal analysis and calligraphy phase grafting initiator, QIU Zhen held that content can not be discerned. exertions will all be incomplete, lacking. [25] But this is all very cautious, but also very confident: Obviously, from the traditional Chinese Taoist outdoor of the letter Benjamin believes that the United States Meilen mechanical reproduction can surely reproduce the works of visual-hwan of the outer form, but evaporated but it is work This is just proof of visual art in the external form, there are similar to the [26] -
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Second, the composition is a typical form of modern Western visual analysis tools, used to diagnose the composition of the form of calligraphy, calligraphy the guidance implies a warmhearted adopted outlook is prejudiced. As we all know, both the calligraphy is the art of timing and spatial: the timing of the writing on melody and dancing close to the spatial characteristics and painting on and similar to the performance of two-dimensional airplane. Calligraphy for the sense of time, primarily the continuity of performance requirements, including modern Western painting with all the visual arts, including a key function to distinguish (modern Western painting such as Kandinsky and Pollock's abstract, although a time-sensitive performance, but the movement and movement, rhythm and tempo between the lack of alphabetical continuity - the timing is not loyal.) Therefore, to mention that calligraphy is a visual art does not fully comply with its own artistic features calligraphy. -
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course, there are still a possibility that calligraphy can But also to prove. This will help a lot of testify to prove, for instance, human perception of external message, 83% through the visual reach into the people idea, cerebral play of human vision is the most important source of information and windows; contemporary calligraphy and culture, chiefly one kind of hall culture, exhibition presentation in the form necessary to begin work in the visual amusements, and so aboard. But not favorable to such factors are also a lot to certify, and they are comprised in arts, cultural issues are more important. For example, whether the visual arts of calligraphy into the ranks, then they should obey with the visual arts of calligraphy rules of the game, subject to a large contemporary visual arts provision, it is needful to transform the visual heart of calligraphy existing rules of the game. Along those lines work, calligraphy is very likely reduced to a black and white abstract art - which means the loss of self aesthetic personality, and once lost the art of self-identity is bound to trigger a chain reaction, such as the cultural origin of the crash the relationship between cultural identity vague, and cultural colonization, and so was a major problem, presented one by one out of coupler. In other words, in order to define the visual art of calligraphy not only residence how to coordinate the timing and spatial re-balance - the nature of the problems associated with calligraphy; but also take into list its traditional culture, the relationship between Chinese identity - This is a further the calligraphy on the more profound cultural alteration big problem. [27] -
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Finally, if the calligraphy transformed into a visual arts program is possible, then also think that it may face fate. The most emphatic answer is, is a kind of calligraphy in the final analysis of the ink with water, once the art of writing. From the visual to think, calligraphy and other contemporary visual categories can not contest. Such as painting, with paint on it is the most profuse color in all the arts, the level of the most singular one, but also reiterated scope, disposable pen and ink calligraphy impossible Yan Yun Xuan He with the visual, the formation of CLS confront. As to advertising, photography, television, membrane, web, and so the visual form, and most can make use of modern technology in the visual world of acquiring a position, but the calligraphy is not. That their own conditions, will in the narrow sense of the visual arts of calligraphy and the broad field of visual culture, not only become a competitive antagonistic, in the most marginal position. [28] -
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Third, the composition and form of the relationship between the characters. -
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symbol is a precipitation of the genetic code of the many cultural character system. Calligraphy by Chinese characters to shape, as a means to shape the characters, merely the Chinese form of body composition is not natural to meet the requirements. Constitute a course to re-form the union, and even physical transformation of Chinese characters, such as the present number of books at family are the usual exaggerated and distorted access, of way, can make the characters more in line with the visual body needs, yet too works in the Chinese culture from its necklace, equitable as a visual modeling tool - the transformation of the form constitutes a form of Chinese characters is equal to the genetic code and its mores between the . As QIU Zhen defined as: (calligraphy) Once the shape of Chinese temperament reduced to a means, has really opened up dissimilar outlet gate: either for the necessitated shape can be secondhand to shape things ought not only Chinese characters, Chinese characters still can not form. Therefore, it constitutes a form of presentation to calligraphy, at fewest in the logic has been implicit in the possibility of Chinese calligraphy can be hit. -
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course, the present attach to exaggerated and distorted Chinese calligraphers have also retained most of the characters prove themselves a sign of cultural identity, but in their works, the characters have been reduced to one kind of modeling tools no doubt, accordingly, if calculate This Because, when you work showed a peruse Chinese characters, you do not know the source of exaggerated and distorted gratitude of the West, he (she) can not concern about your so-called cultural identity, but will surely your into an abstract work of history to examine - the identification not only fail to prove their own purposes, but that something else's art and culture. -
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Due to space constraints, we will do some Wal-Wah to converge on the circumstance. -
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Wo Hing Wah strongly advocated in the form
constitute Simply put, Wal-Wah understand the modern transformation of the way of calligraphy can be summarized consist in ...: after the transformation of traditional calligraphy and calligraphy = skill + forms constitute a traditional space, the rules of re-transformation. [30] -
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This is a pert theoretical ideas, but it also faces many practical problems. In modern design, constitute a form of language that can be mustered many factors, both concrete things, lighting, computers, etc. produced hallucinations, more abstract point line and plane, and calligraphy can only learn from the abstract point line and plane a - - language of art is relatively narrow. Even if not the abstract to the theory of calligraphy in the dotted Although there are a certain width, thickness, but in general we as a dotted line to look at, rather than as the visual arts in the This will make it in the form of greatly reduced form of performance. Clearly, Wal-Wah is also conscious of the problem, as in his
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detrimental to the visual effects for the relationship between the chart and at the end ... ... to blur the difference between figure-ground and to delete, there are two ways, first, to reduce the closed state. gestures do not make too many of the wound, emphasizing the pen off the Italian enterprise; surrounded shaped structure as far as feasible depart to live on the second, less ink and more than white contrast. to aggrandize the shape of the remainder of the white, making it close to or equal to the pitch spacing of the remaining white; reduce the work nigh more than white, so shaped to coerce the side or out side Through these two methods, so more than the white shuttle between the ink, ink and white into a marshy than one, resulting in figure-ground, regardless.
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conveniences and disadvantages of this reach is very clear benefit side, in a way amplified the breadth of lines, lines made of some form of the composition of So, do not have the Calligraphy in the lines From this rational deduction down, works in a similar sense of manoeuvre and whether consideration lines, sense of time ambition transform fewer important: do no have a sense of movement and a black sense of time can still deliver a block face similar visual effect. This calligraphy is presumable to be entirely replaced to the abstract structure of visual craft, a work of calligraphy can be remedied for a black and white abstract painting to see. Similar approach as early for mid-20th century Japan, a small digit of words, as the school where the ink has been expressed with, altered into abstract calligraphy ambition set aside the danger aside, the aboriginal averaging is incredulous. -
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Wo Hing Wah
train not only constitute the form, it is more from the modern design (which is itself constituted by the evolved form of a modern and practical arts). Modern design that the substance texture and texture for the appearance of the product is to determine the quality of people's visual experience of a key ring, therefore, pregnant Xinghua practice calligraphy actually indicates that the transformation of the original tools and materials possible. Because, when relations between black and white work is emphasized when the Chinese calligraphy of the original pine soot ink (ink block) - this is not favor In fact, this practice has been prevalent in the contemporary book world, the But the biggest disadvantage of carbon black ink is like halo of the ink level sense of feud, not natural. Discarded pine soot ink will bring a scope of issues is not planned to start, stop there. -
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Further, the Yuk Wah, characterized by this exploration into a large place among the artistic background to the learn, we base that, as yet Since the epoch of abstract art in the West to be looked. With large modern artistic concepts, techniques, advantages, approximately four decades, the West in this area have occupied the utter advantage. [32] This is a many calligraphy Give up the peerless performance of Chinese calligraphy lines long, the composition of the lines made in the form of -
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Conclusion: -
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two decades, we constitute a benefit in the form of calligraphy in the form of contributions to the analysis, the positive role it can not be denied. However, thousands of years of history temper, Chinese calligraphy and the entire framework of language itself, the traditional Chinese culture, and ideological backdrop are interdependent and mutually supportive relationship is extremely mature, and will constitute a form of grafting likened with the calligraphy is bound to upset the original framework balance, brought a series of art far beyond the corner of the problem. These problems involve the field is almost full, and can even be said that this is a Chinese culture and art whether it should be merged into a globalization of culture, large arts background to go into a big problem, so certainly this writing not complete, still need more to theorists and inventors are concerned about this general problem, its depth. -
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[memoranda, source citations] -
[1] On shore:
[2], [3] You Zhaoliang:
[4] -
[5], [6] (Russian) Kandinsky: ; Introduction -
[7] (English) Fry: p>
[8], [9] (Germany) Wolfgang • Welsch, -
[10]
[11], [12], [29] See QIU Zhen in:
[13]
[14], [16], [17] Wo Hing Wah:
[15], [18], [21], [22] Zhang Yuxiang:
[19], [20], [23], [30], [31] Wo Hing Wah: time -
[24] QIU Zhen in:
[25] Of course, a lot of enthusiasm in the form of books at home may not constitute the form implies that all of calligraphy, such as Wal-Wah. But this does not influence the way he used to transform the form of calligraphy constituted, and treat it as a key factor in the transformation of modern calligraphy. -
[26] (Germany) Benjamin:
[27], [28] See my ; p. 467 -
[32] See [United States] John • Russell, / p>