flew away

Birds , her proud ; cage , the cage of his self-esteem ... self-esteem tied to beam a proud bird , bird is no longer dependent on the cage , gradually began to dislike the cage was a bird ,beats by dre, she wanted to go wider sky free to fly ; cage birds who have been happy , proud too ,casque beats, have had tears for the tie beam birds . He hated himself, why he is a nasty trap , why tie beams the proud bird of freedom. Finally one day, the birds could no longer bear cage tied on her beam , then break open the cage , flew away , never looking gone. Cage begging off , so helpless ,franklin & marshall, can only tolerate the hearts , eyes fight back tears , silently watched the birds were gone ... in fact, bird cage do not want to tie bundles , in his efforts to change , but not the time gave opportunities. He would also like to see the birds can soar the sky to a broader , but the pain in his heart , but can not hide ... ... a cage for the bird can only be silent blessing ,casque dr dre, hope that one day tired birds can return to his arms , At that time, prison is no longer a prison , and he wants to become an ordinary branch , a bird cage docking bays ... tired ,franklin and marshall, in fact, I do not want to sleep you reluctantly , but what I toss and turn相关的主题文章：


胡锦涛出席20国集团领导人第五次峰会 将发表讲话 _2007

but how get up again

我本来是可以做个农民的


BEIJING, July 29 – A Beijing bar is hosting a three-day blues festival starting on Friday, featuring a dozen bands and soloists from around the world.
Cafe CD Blues, on the Third Ring Road near the Agricultural Exhibition Center, and its previous location a few blocks further south, has been home to the city's alternative music scene since the 1980s.
It has been owned for nearly two years by veteran R&B singer and bass player "Big John" Zhang Ling.
Playing on Friday from 7 pm are Chinese band Little Inn, the US' Peter Muchinson Band, Bobo Stump from Japan, Matt Cooper (featuring Swiss Werner Fischer on guitar) and Defy, a Chinese rockabilly group. The night finishes at 1 am.
On Saturday, Joseph J. Johanna from New Zealand will perform folk blues from 3:30 pm, followed by Chinese band Out of Control, then Fernando Fidanza, the Peter Muchinson band again, Zhang Di and Lucy in an East meets West performance, and then the Big John Blues Band led by the bar's owner. The evening will finish with a blues jamming session from about 11:15 pm.
Fernando Fidanza will kick things off from 2:30 pm on Sunday with his Italian Blues. He'll be followed with a harp clinic and harmonica competition until 5 pm. Starting at 4:30 pm outside will be another set by Joseph J. Johanna, then Hong Kong's Chit Chat band, Hoochie Coochie Gentlemen, Bobo Stump and finally, The Chinese Hell Cats from 10:30 pm.
The cost of admission is 150 yuan ($23), including a free drink, for each day, or 400 yuan, including a free drink every day, for all three days.
"Beijing will have seen nothing like it," says one of the event's promoters, Beijing-based US businessman Craig Quick.
"This is a brilliant line-up of extremely talented musicians who know and love the blues inside out. It's going to be a tremendous occasion."
In the early 1980s, as bassist for Chinese rock legend Cui Jian, Zhang Lin developed a deep understanding of the development of modern music in China when Western music was considered "capitalist". He used to listen to The Beatles tracks smuggled in from the US.
Zhang studied bass in Australia and returned to China to collaborate with some of the top blues and jazz artists in the country, creating in 1995 China's first jazz fusion band, Tien Square. In 1996, he joined his old band mate, Cui, and International Monetary Fund vice-president John Anderson to form the first blues band in China, The Rhythm Dogs. He released his first solo album, Nu Ren De Ge (A Woman's Song), in 2008, and also runs a musician booking agency.
Many of the world's jazz greats have visited or performed at the CD Blues Cafe and Bar, including Wynton Marsalis, Kenny Garrett and Herbie Hancock's band.
Blues evolved from the unaccompanied vocal music and oral traditions imported from West Africa and rural tunes into a wide variety of styles and subgenres, with regional variations across the US.