grip the pen

Editor's note: the beautiful snow, reminiscent of many, many, a myriad of thoughts, wake up, but it is a dream. Say hello to the author! As pure as snow, the snow is generally the heart, snow general tenderness. You always like turned into snow in that winter, angelic come. I like the purity and beauty of the snow, because I can not forget the snow of winter. I hate cold and snow of the deserted, as if it were fate, you will eventually melt into water, flow from me to go. I won the hand you, I know that is what you shed tears, but ... fingers gap, but can not keep you! So I covered her chest, but could not help but cry ...
I wipe away tears, fighting back the pain of loss, strong raised his head, grip the pen, I want to depict the contours of your most beautiful, I was injured in snow-like stroking your fragile heart, I want to hear your sweet voice full of tenderness. Busy, and I want you out of time; tired,louboutin pas cher, I close my eyes, thinking you will be sweet; pain, you snow-like stroking my heart. So I closed my eyes, pen slipped from the hands, I think I was tired, I think I was a sleep. You will be floating in the air like a dream ...
standing in front of you, delicate and firm. You and I separated the two sides, just bridge the distance,polo ralph lauren homme, a good well near close! You laugh, such as child-like innocence, snow-like innocent. You wipe away the tears, could not bear to reveal the slightest sad meaning. You always like to use languishing eyes, to convey your thoughts and share silly. I laughed, I met you, how could I not smile? See you, I am most happy happiest experience. No matter how many twists and turns and difficult, I never brought you around because see you, what will I forget, will avoid your eyes innocently, Tiantiandexiao with. Maybe stupid, maybe crazy,moncler, maybe it is destined to be yours. I am after all a little shy and shy, never take the initiative to close to you, you laugh ...
sky suddenly float the snow, good good beautiful! You won the flakes floated gently leaned over,moncler homme, you are very happy, because then it is you! You tell me with the eyes, so I went. I looked at the sky journeying floated the snow, the snow blows my face, so soft and familiar. Ningxue? So I thought of that is you, yes, Ningxue! So strange and familiar! You and me a thousand years, but only in the short side of the bridge! Years before you, years later, I, perhaps without words, only tells that part of the beautiful eyes. Years before you, after all, could not escape the Maple Leaf is that you personally buried, the roots of shed, like melting snow, so you go ... left the period of grief are maple. For maple, you have infatuation watch; for Feng, silly you have to pray to the sky; for Feng, haggard you have died. What a living? What is death? She died for him, he for her to live, which is across the years of waiting? This is the sense of heaven to the myth of love? This is the highest power together for? Or who tell
side of the bridge, the sky to float the snow. I finally once again, you spend, would flock to the sweet heart. Romantic side of the bridge is snow, romantic is you and me through a thousand years, romance is you my promise. You to me, I approached you, just a short distance from this bridge. But ... you never do not go near, I could not move forward, as if the middle has a magic of love. This is a thousand years long? This is two different world? Only side of the bridge in this snow? You cried, I broke down ... obviously in front, but a thousand years! At this time the fate of the doomed? This is my love belongs to you share the tragedy?
I cried, but woke up ... I realized that just a dream. Share of sadness can not hide! Snow, may be able to listen to the voice of my heart. Wind, may be able to take away my thoughts. If you can, I only wish turned into a wisp of smoke, twisted thoughts of you; if I can, I just want to turn into a gust of wind, stroking your heart hurt,polo ralph lauren!
Ningxue, floating in the air fall asleep!相关的主题文章：


　　新华网贝尔格莱德12月9日电

两部委：水价改革要充分考虑社会承受能力

still eligible to get the love of mercy do


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."