you will lose it

I want you, I do not know since when, like your thoughts always go hand in hand, in the dead of night and every morning opened my eyes to see out the window of the first ray of sunshine. Miss you so natural as breathing, but a kind of suffocating the pain! Like your night is quiet, is sad, so, I urge your sleep quickly,abercrombie and fitch, but I think of you was more clear.

I want to call you, but yet hesitated,abercrombie, because deep night sleep you may already, perhaps, you are very tired. I want to give you a message to tell you how much I miss you, but you will come back to it? You care?

when you do not return to my message, maybe you think that nothing,moncler pas cher, and my heart but was hurt again.

when you do not take my phone, maybe you think that nothing, and my heart pains a bit.

When you tell me, so will call me back, and hastily hung up, you know, all night so I can not wait for your reply but when you a word, I have made no courage to make the familiar number.

do love the long-lovers are so cold it? I do not know how to fall in love with you, but I was so aware of their losing you. I can do, can not be undone.

Maybe one day you will understand that being a man thought, remembered, is, what a happy thing, perhaps,doudoune moncler, you will not understand. Perhaps you have already used to live in freedom, you have do not know, maybe it can for you is a bondage.

If one day I will not call you, and not send you information, you will lose it? You are not used to it? If one day I disappeared from your world, that would be what you want results? Perhaps there is nothing in this world is not fit, the heartache will naturally drop to the numbness. So stubborn to stop here, because what little hope there hearts and expectations!

Perhaps one day I will lay down my stubborn, re-live a life of their own, no doubt to wait, not ecstatic, and no longer feel depressed. Those on your memory, I will treasure it properly, I will not forget, will not easily open.

Maybe one day I will miss you very well remember that, and youth-related. Youth is always beautiful and short of it! Who would admit that youth is wasted it? Even if only in the humble spent waiting.

Like you,polo ralph lauren pas cher, I used to hang in the window a bunch of colored bells, casual wind blowing every time, that is passing by I'm waiting for you time!
TAG Tags: lose courage tonight, I think you
(Editor: sammy)


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."