life has just started

Editor's Note: Money is not everything, money is totally unacceptable. But one thing,abercrombie paris, the money is not necessarily a good thing too. Maybe everyone think differently, at least I do not like it, though no one will hate money. Feeling of happiness, we must have some material basis for mutual attraction and spiritual care is the main thing. On the face of her friends love the conditions, they would always give a lot of inspiration, most will say that at least each other's material base should be stable, are not allowed to bad, Then look at the character.
do not know how to think their heart is in the face of this new century,chaussure louboutin, people's living standards have become increasingly demanding, but the lack of love, the truth of 60,70, probably did not see the cruel reality, experience not see the importance of outside material.
80 youth as we are soon into the society, which would be rich material it?
no one thought of a better life, not everyone enjoy a wonderful start with, are obtained in the constant progress being achieved, from the bitter to the music, what is a process.
tell the truth, always felt that the ideas are too old-fashioned,abercrombie & fitch, first look at the material conditions, to say we have the hands and feet, but also worried about? No matter how poor, not as three to four years in order to eat the bark to eat bran meal hungry often eat a meal high bar, think of those elders, so full of respect, in so arduous years, the combination of all dependent children adults,doudoune moncler, can be strong to survive the kind of spirit is worthy of our next generation can learn.
compared with them, I do not know how happy, no matter how poor the completion of an empty stomach will not round, there is nothing to complain about.
fact, as of a gay man is really not easy, they want to give a loved one are the best of happiness, but their capacity is limited, life has just started, do not have much savings psychological pressure will increase, in fact, not necessary to own these pressures, because you have a hard enough, there will be a beautiful day, and this is only temporary, good mood is the most important.
most Shigehito is a character with a good partner, that is the greatest happiness of those substances are of secondary importance, there is more money, so young to enjoy, not necessarily happy So great importance on a person's talent show than a person's material more really, really moving.
two people destined to come together is really not easy, because the mutual attraction, blending together the hearts, there were bitter with the right to pleasure, from plain to a happy life, victory, that feelings are the reliable and sincere.
can not do without the money in our lives, but money is not everything, but the money to buy lots of things can be said that true love can not be bought, in fact, only two people there all have feelings a day, give each other a smile is the greatest power. After all, everyone thought
vary, and not oppose their ideas, just want to say a person's character is the most important, met a good man, no matter how poor are happy, happy,louboutin pas cher, meet bad people , there is no amount of money, it does not necessarily happy.
this to worry about who is gay material, said sound hard, want to say, do not give yourself too much pressure on yourself when you pressure the other half will be sad, your body are motivated, have good, justice, is great.
to believe there is love, everything, the last wish the world happy lovers, do not be substances being destroyed.相关的主题文章：


howling for you to shiver. Not long to leave you

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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."