let alone start. Until now.

Editor's Note: There is no hesitation, even without looking, leaving only a beautiful illusion. 've Lost count of how many times this is awakened from a dream.
always repeating the same dream.
In a sunny hillside, covered with sunflowers. They stubbornly erect, as if waiting for something. I, in sunflower the ground running and running and all of a sudden slide of the cliff on the inside. I would like feather slightly, falling ...
precariously and then I saw the white ceiling.
since went to college, I began to bid farewell to the past that I am. I am reminded of the past to the present time, the mouth will still rise.
that cute I am. Confident, assertive, sometimes crazy, high-profile mess. But happy.
simple? No, I was trying to avoid. Avoid all the things I frown. So, I did not grow.
quiet, began to think, I have to face those things made me frown.
mature? No, it's figured out. Are beginning to understand that life is what it is. Is everything. Happy is not happy does not matter. As water, non-bitter sweet and non-acid non-non-spicy. But with the taste of calm to meet people's needs.
beginning to understand that flowers and the world, one grain of sand paradise.
also began to keep memories.
surprised to find that the highest frequency memories, turned out to be him.
I still ask myself, really love him? If not, why always think of him? If so, why only think of sad when minutes and seconds?
have to admit that, until now I was the happiest time of his initial understanding of that period. Is a time when I was 14 years old.
two stubborn kind of child, along with the pure joy laughter tears across the years in the bike speeding along with, loudly shouted the original dream. After that, I will abide by this never ending feeling, let alone start. Until now.
Without that accident, he is like? We will come together?
everything in life would be an understatement to end it. However, he does not.
he forever live in my memories of.
the first time in,football chaussures, I know, your heart can hurt.
run in the wind. Tears in the night.
so that the total now live in the past always blame themselves. Like the idea of ​​all those gone for youth, and can not pick up the years. Reluctant to tell their own, in fact, has never go back ...
chance to hear a song, Many have been quiet again overwhelming sadness overwhelmed me. Learn a word: your world,Casque dr dre, I hope all is good. Since then the sky at night,chaussures de foot, always said: your world, I hope all is good.
I think in days to months or even sad is the gas meter, illusory,casque beats, then quickly vanished; in hours of dollars sad is liquid, procrastination,franklin et marshall, always wet accidentally let their feelings of; and in minutes or seconds is a solid account of the sad, ado, really, is a concentrated sincere, usually, will not occupy much mind the location, but it can be timeless, to remind ourselves , have the experience, sad too.
suddenly discovered, in fact, he is the sunflower tree, I have to wait for spring, summer, autumn. Waiting for someone to love. But in the end, I had hung his head.
original, I am waiting for the results so much grain. With my Love, in exchange for full.
fell into the cliff, I finally do not wait any longer.相关的主题文章：


幸福的遐想

氤氲在茶水里的念想……

中国有望提前10年达到中等发达国家水平 _27358


BEIJING, July 29 – A Beijing bar is hosting a three-day blues festival starting on Friday, featuring a dozen bands and soloists from around the world.
Cafe CD Blues, on the Third Ring Road near the Agricultural Exhibition Center, and its previous location a few blocks further south, has been home to the city's alternative music scene since the 1980s.
It has been owned for nearly two years by veteran R&B singer and bass player "Big John" Zhang Ling.
Playing on Friday from 7 pm are Chinese band Little Inn, the US' Peter Muchinson Band, Bobo Stump from Japan, Matt Cooper (featuring Swiss Werner Fischer on guitar) and Defy, a Chinese rockabilly group. The night finishes at 1 am.
On Saturday, Joseph J. Johanna from New Zealand will perform folk blues from 3:30 pm, followed by Chinese band Out of Control, then Fernando Fidanza, the Peter Muchinson band again, Zhang Di and Lucy in an East meets West performance, and then the Big John Blues Band led by the bar's owner. The evening will finish with a blues jamming session from about 11:15 pm.
Fernando Fidanza will kick things off from 2:30 pm on Sunday with his Italian Blues. He'll be followed with a harp clinic and harmonica competition until 5 pm. Starting at 4:30 pm outside will be another set by Joseph J. Johanna, then Hong Kong's Chit Chat band, Hoochie Coochie Gentlemen, Bobo Stump and finally, The Chinese Hell Cats from 10:30 pm.
The cost of admission is 150 yuan ($23), including a free drink, for each day, or 400 yuan, including a free drink every day, for all three days.
"Beijing will have seen nothing like it," says one of the event's promoters, Beijing-based US businessman Craig Quick.
"This is a brilliant line-up of extremely talented musicians who know and love the blues inside out. It's going to be a tremendous occasion."
In the early 1980s, as bassist for Chinese rock legend Cui Jian, Zhang Lin developed a deep understanding of the development of modern music in China when Western music was considered "capitalist". He used to listen to The Beatles tracks smuggled in from the US.
Zhang studied bass in Australia and returned to China to collaborate with some of the top blues and jazz artists in the country, creating in 1995 China's first jazz fusion band, Tien Square. In 1996, he joined his old band mate, Cui, and International Monetary Fund vice-president John Anderson to form the first blues band in China, The Rhythm Dogs. He released his first solo album, Nu Ren De Ge (A Woman's Song), in 2008, and also runs a musician booking agency.
Many of the world's jazz greats have visited or performed at the CD Blues Cafe and Bar, including Wynton Marsalis, Kenny Garrett and Herbie Hancock's band.
Blues evolved from the unaccompanied vocal music and oral traditions imported from West Africa and rural tunes into a wide variety of styles and subgenres, with regional variations across the US.