Editor's Note: writing a good article somewhat thin. A man sitting in the office, listening to music, do not consciously and sentimental. Love, what is good or bad, can make people happy or sad? I really do not know.
rush over the years, I have not children, nor the first taste of love, but still do not know how to hold love. I am a Taurus girl, sign books, we are gentle, docile, and I do not yes. At first, people who know me would think I was very quiet, very quiet or that kind of girl, but after some time in the knowledge that they will find people so I just give a false impression. I am not trying to deceive others or disguise what is, in the face of people who are not familiar with the performance and to protect themselves like true not the same.
this feature may be because I am now,
abercrombie and fitch, and I pass each of the boys like my reasons are: I look good soft, good kind, very caring, and not angry and so on. Are more people like yourself like to be such a rating, but I do not like people think I am, because I began to fear they are too good I thought,
polo ralph lauren discount, and I will make them the true face of sad, so two people suffering. So I choose not to reason with them is: I do not fit.
know me a long time people will find that I am a possessive, jealous of the people in particular, love jealous temper is even more confusing, that popular, that is an arbitrary. I'm on TV or movies that girls love to make people out of the name, but in real life people can not stand.
addition to the above said this, I love this big,
doudoune pas cher, there are shortcomings, I do not believe his wife. Seen too many do not know the love television, romance novels reasons, or there are too many examples around, I do not trust men. Man rhetoric on TV, like a different girl,
doudoune moncler, as long as the beautiful can; her friends helping them, not a single one. So I think there is no single-mindedness of the boys, at least I have not met before, so for his lover, I like to go check him for a while, or he'll stay with me, or I do not will be peace of mind, like many, many,
chaussure louboutin, this time on the TV screen will appear. Is not it annoying ah? Although I know the boys hate it, but I was unable to manage themselves, so far I have not found a man assured me.
do not know the other girls will not have so many shortcomings I would like my imagination so rich. For the love I can not see through, can not hold, handled properly, and Hao Fan. Hope is to see my friends do not like the article, like me, cherish those who have eyes to him (her) to change their bad place, take their own happiness, trust their own choices, their own love. Finally, tell the
goes: May the world married lovers!相关的主题文章：
leaving that once the warm embrace.
two people got into the taxi.
the more we can show the fate of the fall
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
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